Synthtorial

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No need for on-board filters and other effects, custom scales, internal arpeggiator or sequencer, modulation matrix, audio input, LFO Even ADSR doesn’t matter much, to me (though it’s probably expected). Said: Maybe overkill based on your description, but aren’t the PPG apps all AUv3? Just looked, they’re actually very feature light versions of the main app. I like the app you described. I’d probably buy that. Got PPG Infinite and MiniMapper (IAA-only).

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Nor is it about emulating an existing synth. It’s about adopting a more modular approach to explore diverse affordances. This method already works well with Reaktor.

Syntorial works through each section of the synth, starting with the basics of the oscillators and filters and showing you only the parts you need for the lessons in question. You’re presented with a video explaining each section and then given a series of challenges where you hear an example sound and then have to re-create it using just your ears and the controls. To make things easier, parameters are notched, so you might have to choose from, say, five different envelope attack times.

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But let me be honest. You will only have real fun with the gear you already have and also with new gear you add, if you dig into sound design yourself. Getting well done patches for a synth and tweak it, is a good starting point to learn and see, what a synth is capable of. But let me tell you from my experience that it’s faster to start from a naked basic template and built sounds from there. I can only encourage to try out to recreate simple sounds yourself, following a good tutorial, understand what is going on that makes out the character of this specific sound, and then continue with more complex sounds. There are some basics, that are learned easily and fast, which built upon each other, and after a relatively short time you will listen to sounds and get an idea, what could be done to recreate this sound.

Now physical modeling or Fm? Trying to understand that would be nuts imo lol but turning knobs is turnin knobs tho.

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Too high pitched or loud sounds that might damage ear drum) Sorry for the newbie-ness. Well, theoretically almost everything is going to be 'unique' in the sense that unless you just push out a completely unprocessed preset, it's gonna be somewhat different than the original.the point being that even if you know your way around a synthesizer, most of that ground has been trodden over and over sonically over the years - actually making a sound that somehow stands out as 'new' is quite a feat these days. Which is why it's pointless to worry about it and just make music you want to do with the sounds that appeal to you. Learning how to use a synth from experimentation alone gets you to a comfortable point if you ignore that jargon, oh lord. Like the regulars: filters lfo adsr some synths have a little preshackled area for extra modulation capabilities as well where everything's already internally connected but not routed to whatever. Equalizers just being fully controllable filters. Planit millenium software.

Now physical modeling or Fm? Trying to understand that would be nuts imo lol but turning knobs is turnin knobs tho. The concept of those is wow. If you have no sound design experience and/or theory to fall back on or reference against.How would you tell if the sound you 'stumbled' upon is 'good' or 'bad'.??? Would you just reference against another song's sound/design.???

BUT THERE ARE SO MANY SYNTHS OUT THERE. HOW DO I TAKE WHAT I LEARN WITH SYNTORIAL, AND APPLY IT TO MY FAVORITE SYNTH? At the end of every major section, you'll watch a video explaining the many ways in which each parameter is implemented in other synths.

The concept of those is wow. If you have no sound design experience and/or theory to fall back on or reference against.How would you tell if the sound you 'stumbled' upon is 'good' or 'bad'.??? Would you just reference against another song's sound/design.??? - If it sounds good to you, or sounds similar to the genre you are trying to make, use it. Over time making hundreds of beats and listening to the sounds of that genre, you will know what will fit. Referencing other songs is a good way to start. Try to save up for some good quality VST's and sample packs, at first just use what you can there are plenty of good free vsts and sample packs for beginners just google top 10 free vsts.

• Added Tap Tempo button to iPhone5/6/X configuration panel. • Added Volume control to iPhone AUv3 settings. • Added sample rate option to the Model D iOS preferences.

And while they can only present information, a program can interact with the user. And that's just what Syntorial does. Through a series of challenges Syntorial gradually builds up your sound design skills so that by the end of the entire tutorial, you're doing it. Most tutorials focus on the technical ins-and-outs of synthesizers. Or, they show you how to make a few specific sounds. They fail to address the MOST important skill needed to program synthesizers: a trained ear. Using our Synthesis By Ear method (patent pending), Syntorial takes you step-by-step through 58 different common synth parameters and trains your ear to instantly recognize how each one effects sound.

But I get your idea - happy exploring.

Just mute and ignore the ones not needed. Though it sounds easy to “mute and ignore” some parts of existing synths, the idea here is about simplifying the experience so that, cognitively, you automatically pay attention to the right part of the interface. In a way, you can think of it as the synth equivalent of “distraction-free” writing apps of a few years back. You might say that it was a fad, but something did happen in getting some people to focus on the features they need at the time they need it. In fact, there’s great pedagogical value in only making available those parts of a synth that you really need at the time you need them. Haven’t played with the full version of Synthtorial but this part suited my needs from the very beginning. Some with Sonic Pi, in fact.